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Hundreds of hours recording all kinds of voiceover for a diverse range of clients (from international brands to start-ups, to Australian government agencies and small to medium businesses)Įxtensive Improvisational Theatre (Impro) training and performance For Australian broadcast please get in touch with the lovely Claudia and she'll work with you to determine a rate that fits for all. When you get in touch, be sure to let me know the length of the script and/or it's intended reach (the location and duration of broadcast). The other advantage of SCN is more than one person can listen in.Įvery project is unique and the value is determined by usage/reach - how long the recording will be used for (e.g., 3 months) and how many people will hear it (e.g., one state / national, internal training / public internet). Old-fashioned wired ones work best (wireless do work too, however they seem to be less consistent). You just need to click this link in a Chrome browser, and wear some earphones that have a built-in microphone. If not, and you'd like to listen in HD sound, Source Connect Now (SCN) works great. If you're a recording studio I have Source Connect Standard under 'jenmaryvo'. Of course! Just let me know your time zone and we'll tee something up. I upload to Hightail, WeTransfer, GoogleDrive or Dropbox - let me know your preference.ĭo you do live sessions from your own booth? Alternatively I provide you with the RAW file for your team to produce. I can edit, de-breath and lightly process my files so they're ready to go. The booth stops noise from the outside getting in, and the foam creates that professional "dead" sound.Ībsolutely. It's a double-walled isolation booth built from MDF wood and lined with Basotect foam. If you're looking for one, some places I can personally recommend are The Voice Plant, Rosco Audio, 3P, Cutting Edge or The Post Lounge.Īlternatively I record from my own private broadcast studio. If you're ready to ask for a quote or test sample shoot me a message or an email right now, it's that easy. Interested in knowing more about me? I've got some answers to common questions below. Asking for an audition read is a good way to 'try on' the service of a particular talent without committing. Listen to demos and ask for a custom read of your script. Within that brief there remains a pool professional talent who could serve you equally well, and that's where it comes down to individual preference. Other measures of effectiveness might include direct consumer feedback, improved content engagement, learning or even sales results. An effective voiceover is first of all one that satisfies or exceeds your client's expectations. When a session is booked, you know they will arrive with time to spare and not embarrass you to the client.Įffectiveness: The talent can quickly adjust their performance to execute the read that will be most effective. They can also be depended on to let you know if what you're asking is not possible, or to ask you if they need extra information. Reliability: When the talent says they will deliver in under 24 hours, you can be sure they will keep their word. They can also match their performance from past recordings for seamless pickups. ![]() So what should you look for in a voice talent? Consistency, Reliability and Effectiveness.Ĭonsistency: The talent can provide you with the same quality audio across gaps of time. ![]() So here are some future headaches you might avoid by booking premium talent today: working hard to produce content that is ultimately perceived as lower in quality because of poor audio or a wooden voiceover, needing to redo an entire project because the original voice is no longer available to record small pickups (or that voice cannot match the exact audio quality or performance from the first recording), losing money on a commercial that doesn't connect with the listener because the voiceover wasn't convincing, losing potential customers because an on-hold voice sounds annoying, reducing content retention in eLearning because the voiceover wasn't personable or easy to listen to, alienating potential customers from a brand by choosing a voice they don't relate to. While the best producers know that paying for quality voiceover is worth it, some clients with less experience might need convincing. But the saying is true that 'cheap' is 'expensive' in the long run. In one sense, yes, you can very quickly find any number of people happy to record your script, perhaps for a bargain price. With so many voice talent out there, you'd think that getting a voiceover done would be straightforward. ![]() PopChar makes all these font-related tasks easy. Search for characters by their names or their shape, find fonts that contain certain characters, explore the character set of fonts, collect your favorite characters, insert HTML symbols. It makes it easy to navigate and search within fonts that contain thousands of characters. PopChar works with all modern applications that support Unicode. Select the desired character and it instantly appears in your document. ![]() Click the "P" in the menu bar to display a table of characters. Whenever you need a special character, PopChar is there to help. PopChar makes "typing" of unusual characters easy without having to remember keyboard combinations. If you want to get the most out of your fonts, then PopChar is the right tool for you. If a glyph has a keyboard equivalent, PopChar also displays the keys you can press to generate it in your document-a real timesaver for often-used glyphs.Most of your fonts contain thousands of characters, many more than you can access from the keyboard. Buttons at the bottom of PopChar’s window let you choose to insert the glyph in three different ways: using the font currently selected in PopChar, the font currently active in your document, or as HTML code for your Web pages (in either numeric or named HTML code). However, you don’t have to insert the glyph into your document using the font currently selected in PopChar. This is particularly handy for inserting a dingbat character from a different font than the one you’re typing in. If you use a particular glyph over and over, you can add it to a new Favorites section for instant recall later-even if you’re using a different font. The glyphs you’ve used before are highlighted in yellow, which helps during subsequent searches. To help you discern differences between glyphs, PopChar offers a magnifier tool that enlarges each glyph as you roll your mouse cursor over it. Without this feature, you’d have to go through the tedious process of choosing each font and scrolling through the Unicode blocks to see if it has that particular glyph-and even then you wouldn’t be able to compare the glyphs side-by-side. This is incredibly useful for choosing a specific design for an ampersand (&), arrow, or other glyph, for example, even if it’s from a different font. ![]() A unique feature then lets you see the selected glyph in all active fonts where it exists, by clicking the All button. You can even search for glyphs by category name, such as “arrow” or “trademark”. If your font is in OpenType format and has an extended set of glyphs, PopChar shows all of them, clustered into standard Unicode blocks such as language, punctuation, currency symbols, numbers, arrows, geometric shapes, and dingbats. New to version 5 is the ability to invoke PopChar with a keyboard shortcut, rather than having to click a menu bar icon. When you click onto your document, PopChar’s window can either close or stay open, depending on how you set its preferences. If you double-click a glyph, it pops into your currently active document at the location of your text cursor. When you click the P icon, a floating window appears that shows all of the glyphs (characters) in any of your active fonts. ![]() PopChar X adds a small P icon to your Mac’s menu bar in either the right or left corner, or as a standard menu bar item. ![]() ![]() ![]() Proceeds also benefitted the Elton John AIDS Foundation. Named after his 1973 album and song “Goodbye Yellow Brick Road,” the ice cream included chocolate ice cream, peanut butter cookie dough, butter brickle and white chocolate chunks. Part of the proceeds benefits Farm Aid, the charity concert co-started by Nelson.Įlton John’s honorary flavor came about as a celebration of the iconic musician’s first-ever performance in Vermont in 2008. The concoction combines peach ice cream with pieces of cinnamon-sugar shortbread and completed with a peach swirl. This ice cream inspired by country crooner Willie Nelson is the epitome of down-home southern cooking. The container description states: “We hope this whirly mixture of toffee cookies and fudge peace signs enlightens your bellies and souls and makes you ask what you can do to promote peace in your lives.”ġ3. Based on the legendary musician’s songs “Imagine” and “Give Peace a Chance,” this flavor is a blend of caramel and sweet cream ice creams mixed with toffee cookie pieces and fudge peace signs that symbolize the former Beatle’s outlook on life. In 2008, the Vermont duo created an ice cream to celebrate the life and activism of John Lennon. Fey is a longtime supporter of Jumpstart and played a part in securing a portion of the proceeds to benefit the organization. Liz Lemon Greek Frozen Yogurt is also dedicated to the early education organization Jumpstart, which serves children in low-income neighborhoods. The frozen treat is a mixture of fruity flavors consisting of lemon Greek frozen yogurt with a blueberry lavender swirl. To honor the series finale of 30 Rock in January, Ben & Jerry’s announced their newest themed flavor named after Tina Fey’s food-obsessed character Liz Lemon. Liz Lemon Greek Frozen Yogurt with a Blueberry Lavender Swirl So hold on to your taste buds-we complied a list of 15 great Ben & Jerry’s flavors that get their title from some of our pop culture favorites.ġ5. The trend started with Cherry Garcia in 1987 in honor of the now late great Grateful Dead frontman Jerry Garcia, and the most recent addition is an ode to 30 Rock’s leading lady, Liz Lemon. From the same people that give us Free Cone Day each year, Ben & Jerry’s knows precisely how to grab an audience: Attach overly delicious treats with our favorite television shows, movies, musicians and actors. ![]() ![]() If you have any PTZ cameras, go ahead and set the presets, if any, now through the web interface before adding them to Blue Iris. For more information on how to access your camera in a web browser (web UI), click here Ensure that you have already installed your cameras and they are working correctly in a web browser. Now that you have your software installed, it’s time to start adding your cameras. Settings are automatically backed up to C:\Program Files\Blue Iris5\backup_upgrade_50.reg. Please say NO to deleting any of your settings. Additionally, if you are upgrading from version 4, please allow access and remove version 4 from your system. Note: Any Blue Iris keys that have expired support have to be renewed or upgraded for it to work in Blue Iris version 5. There is are options for a fill license (up to 64 cameras) for $69.95 or a Lite license for a single camera for $34.95. You can use the demo version or purchase a license. nVIDIA graphics adaptor for efficient screen displayĪmcrest, 4XEM, ACTT, Airlink101, AIRLive, Allnet, Apexis, Arecont, Astak, AVTech, Avlosys, Axis, Bosch, Canon, Cisco, Coolcam, Dericam, Di4-Lan, DLink, EasyN, Edimax, Evocam, Foscam, Gadspot, Ganz, Gandstream, Hawking, HIKVision, HooToo, Intellinet, JVC, Linksys, Logitech, Lorex, Microseven, Mobotix, Panasonic, Pelco, Planet, Sanyo, Sharx, Siemens, Sony, Stardot, Swann, Toshiba, Tenvis, TO-LINK, Trendnet, Vivotel, Wansview, Y-Cam, Zavio, Zonet and many more.įollow the on screen instructions to install the software. ![]() Intel core i7 with QuickSync for hardware decoding.Recommendations When Using Many and/or HD Cameras One or more USB or Network IP cameras, or an analog capture card with DirectShow drivers.Microsoft Windows 7 or newer OS (equivalent server OS as well).With motion detection, push notifications, and the ability to view, listen, and talk back using the free Microseven iOS and. Featuring WDRPOESAA technology, 1080P HD video, and 8-meter infrared night vision, this wired camera offers excellent video and audio quality. Pentium dual-core or equivalent 2GHz processor or better Learn how to set up and use the MICROSEVEN M7B77-WDRPOESAA Two-Way Talk Outdoor IP Camera with this comprehensive user manual.To install the Blue Iris 5 software onto your computer, go to the Blue Iris website and download the installation file . ![]() ![]() huge ooze cr10 mordenkainens-tome-of-foes (p. When an oblex causes a target to become memory drained, the oblex learns all the languages the target knows and gains all its proficiencies, except any saving throw proficiencies. Each time the target is memory drained beyond the first, the die size increases by one: the d4 becomes a d6, the d6 becomes a d8, and so on until the die becomes a d20, at which point the target becomes unconscious for 1 hour. While memory drained, the target must roll a d4 and subtract the number rolled from any ability check or attack roll it makes. The beholder hive mother is twice the size of a regular beholder, able to swallow enemies whole. Constructs, oozes, plants, and undead succeed on the save automatically. Creature Size in 5e: Charts, Stats and Guide for 2022. The target must succeed on a DC 18 Wisdom saving throw or take 44 (8d10) psychic damage and become memory drained until it finishes a short or long rest or until it benefits from the greater restoration or heal spell. Hit: 17 (4d6 + 3) bludgeoning damage plus 7 (2d6) psychic damage.Įat Memories The oblex targets one creature it can see within 5 feet of it. Pseudopod Melee Weapon Attack: +7 to hit, reach 10 ft., one target. Multiattack The elder oblex makes two pseudopod attacks and uses Eat Memories. The simulacrum disappears if the tether is severed. The slimy tether is immune to damage, but it is severed if there is no opening at least 1 inch wide between the oblex’s main body and the simulacrum. Medium aberration chaotic evil Stick Man : 1/2 30 ft., climb 30 ft. Tiny aberration lawful good Stellar Beast : 7 40 ft. Large aberration chaotic evil Static Ooze : 3 5 ft., climb 5 ft., swim 5 ft. Huge aberration chaotic evil Star Vampire : 4 0 ft., fly 30 ft. ![]() For all practical purposes, the simulacrum is the oblex, meaning the oblex occupies its space and the simulacrum’s space simultaneously. Star Spawn of Cthulhu : 18 40 ft., fly 60 ft., swim 60 ft. The oblex can impersonate 2d6 + 1 different creatures, each one tethered to its body by a strand of slime that can extend up to 120 feet away. This simulacrum appears, feels, and sounds exactly like the creature it impersonates, though it smells faintly of sulfur. As a bonus action, the oblex can extrude a piece of itself that assumes the appearance of one Medium or smaller creature whose memories it has stolen. It can innately cast the following spells, requiring no material components:Īt will: charm person (as 5th-level spell), detect thoughts, hold personģ/day each: confusion, dimension door, dominate person, fear, hallucinatory terrain, hold monster, hypnotic pattern, telekinesis The oblex’s innate spellcasting ability is Intelligence (spell save DC 18). If the oblex takes fire damage, it has disadvantage on attack rolls and ability checks until the end of its next turn. A few things of note here: a) Defensive CR is calculated only based on HP and AC and doesnt take any abilities into account. So I created a Google spreadsheet available here. The oblex can move through a space as narrow as 1 inch wide without squeezing.Īversion to Fire. But because the stat blocks are variable and scale with both spell level and the casters proficiency bonus this turned out to be not so simple. Spectator A spectator is an extraplanar beholderkin with four eye stalks.Amorphous. Overseer An overseer resembles a large, fleshy tree with mouths on its trunk and eyes on its branches. Orbus these are a genetically bred or stunted and immature form of beholder. Lensman The ultimate lackey caste of beholder society, Observer A Observer is one of the most socially adept of the beholder family. Gouger This is a variant bred to stalk and kill normal beholders. Gauth A Gauth is a subspecies of beholders specifically bred to combat spellcasters. Eyeball An eyeball is a tiny beholderkin with four eye stalks. It most notable physical change is it's two large clawed arms. Eye of the Deep A aquatic subspecies of beholder. Death Kiss This creature's eyestalks are replaced with blood-draining tentacles. Eat Memories The oblex targets one creature it can see within 5 feet of it. The beholder shoots three of the following magical eye rays at random (reroll duplicates), choosing one to three targets it can see within 120 feet of it: Charm Ray. Hit: 17 (4d6 + 3) bludgeoning damage plus 7 (2d6) psychic damage. Types Astereater This creature stalk-less beholder floats appearing as a harmless rock. Multiattack The elder oblex makes two pseudopod attacks and uses Eat Memories. Not all share the xenophobia of true beholders though most are still evil and cruel in nature. Beholderkin have a very wide range of appearances and abilities. As opposed to the Death Tyrant, Elder Orb, Hive Mother and Orbus described later, which are just variants, these are actually different species to true beholders. Beholderkin is a subcategory of aberrant beholders comprising a very large number of beholder-like creatures. Vic Morrow had previously appeared in numerous TV shows and such films as The Blackboard Jungle (1955) and The Bad News Bears (1976). In the movie, four directors– Landis, Steven Spielberg, Joe Dante and George Miller–each adapted a different episode of the TV series, which chronicled the stories of people who found themselves in highly unusual situations. The film, which received mixed reviews, was based on a popular science fiction TV series of the same name that aired from 1959 to 1964 and was created by Rod Serling. Twilight Zone: The Movie was released in the summer of 1983. The familes of the three victims filed lawsuits against Landis, Warner Brothers and Twilight Zone co-director and producer Steven Spielberg that were settled for undisclosed amounts. Following the emotional 10-month trial, a jury acquitted all five defendants in 1987. During the subsequent trial, the defense maintained the crash was an accident that could not have been predicted while the prosecution claimed Landis and his crew had been reckless and violated laws regarding child actors, including regulations about their working conditions and hours. According to a 1987 New York Times report, it was the first time a film director faced criminal charges for events that occurred while making a movie. Twilight Zone co-director John Landis ( Blues Brothers, Trading Places, National Lampoon’s Animal House) and four other men working on the film, including the special-effects coordinator and the helicopter pilot, were charged with involuntary manslaughter. ![]() The accident took place on the film’s last scheduled day of shooting. Special-effects explosions on the set caused the pilot of the low-flying craft to lose control and crash into the three victims. ![]() Morrow, age 53, and the children, ages six and seven, were shooting a Vietnam War battle scene in which they were supposed to be running from a pursuing helicopter. Starring Damon Wayans Jr.On July 23, 1982, Vic Morrow and two child actors, Renee Shinn Chen and Myca Dinh Le, are killed in an accident involving a helicopter during filming on the California set of Twilight Zone: The Movie. ![]() Chang and Sara Amini, directed by Mathias Herndl Starring Jimmi Simpson ( Westworld) and Gillian Jacobs ( Love) Written by Heather Anne Campbell, directed by Tayarisha Poe Written by Glen Morgan, directed by Justin Benson and Aaron Moorhead Starring Joel McHale ( Community) and Brandon Jay McLaren ( UnReal) Written by Alex Rubens, directed by Christina Choe Starring Jenna Elfman ( Dharma & Greg), Chris Meloni ( Law & Order: SVU) and Tavi Gevinson ( Person to Person) Written by Win Rosenfeld, directed by Peter Atencio Starring Daniel Sunjata ( Graceland), Ethan Embry ( Grace and Frankie) and Billy Porter ( Pose) Written by Jordan Peele, directed by JD Dillard Starring Morena Baccarin, Colman Domingo and Tony Hale ![]() Here are details of select season two episodes and casting for each: It will be called “Downtime” and feature Baccarin ( Deadpool), Domingo ( Fear the Walking Dead) and Hale ( Veep). William Shatner Pays Respects to Richard Donner With Memory of Their Classic 'Twilight Zone' EpisodeĪdditionally, Twilight Zone executive producer and narrator Jordan Peele has also written an episode for the upcoming season. ![]() Enable visitors to enjoy your Flash movies on PC, iPad, iPhone and other devices that support HTML5. Play Flash movies in HTML5 browsers Convert Flash SWF to HTML5 files, and then you can play it normally in HTML5 compatible browsers. Enrich your own Flash design resources.Įxport all (morph) shapes, images, sounds (mp3/wav), videos (flv), fonts, texts, buttons, sprites, frames and AS. View and Extract FlashĮxtract SWF elements in all for re-use One-click to view and extract all SWF elements from existing SWF files. The latest Flash Decompiler supports can decompile SWF with TLF text included. Convert FLEX-made SWF to FLEX source code. 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![]() ![]() This is the error element's code attribute in the XML returned in the response body. The lfm error code (when the lfm status was failed) further describes the cause of the error.The lfm status attribute of the lfm XML element returned in the response body.Store the scrobble in the user's profile.A batch request may contain up to 50 scrobbles. Multiple scrobbles may be sent in a single batch request, this is recommended when there are cached scrobbles to be sent in the case of previous errors. The web service method for sending scrobbles is track.scrobble.Īs with all our write web services, requests must be sent as HTTP POST requests to with form urlencoded (using utf-8) parameters in the body of the request. If there is any ambiguity or doubt then don't send this value. from a Last.fm radio stream from some other recommendation service or radio show put together by a DJ or host) then this value should be set to "false". However, if the user is listening to music that is effectively chosen by someone other than themselves (e.g. In most cases where a user is scrobbling their own music you can safely ignore this parameter. This parameter is used to indicate when a scrobble comes from a source that the user doesn't have "direct" control over. # When to set the "chosenByUser" parameter Do not use the corrections returned by the now playing service as input for the scrobble request, unless they have been explicitly approved by the user.Please only use meta data from well-structured sources such as ID3 tags. Do not attempt to determine a track's meta data from its filename.It is often most convenient to send a scrobble request when a track has finished playing. And the track has been played for at least half its duration, or for 4 minutes (whichever occurs earlier.)Īs soon as these conditions have been met, the scrobble request may be sent at any time.The track must be longer than 30 seconds.# When is a scrobble a scrobble?Ī track should only be scrobbled when the following conditions have been met: This data is used to show a user's listening history and generate personalised charts and recommendations (and more). The scrobble service lets a client add a track-play to a user's profile. Now Playing requests that fail should not be retried. We recommend that your client logs all failed requests and their responses (HTTP headers, and the xml body) to assist debugging. The lfm error code (when the lfm status was "failed") further describes the cause of the error.Last.fm signals the success or failure of a request by three different means: Return a response to the client indicating the outcome of the request.Update the user's Now Playing status with the track and client.Check that the request passes our filters.Once a request has been received by Last.fm the following sequence of events takes place on our side: The web service method for sending Now Playing information is track.updateNowPlaying.Īs with all our write web services, requests must be sent as HTTP POST requests to with form urlencoded parameters in the body of the request. Requests should be sent as soon as a user starts listening to a track. This API method call is optional for scrobbling clients, but recommended. This does not affect a user's charts, but will feature the current track on their profile page, along with an indication of what music player they're using. The "Now Playing" service lets a client notify Last.fm that a user has started listening to a track. Scrobbling 2.0 is not backwards compatible with the old Submissions Protocol 1.2.1 (which is deprecated). A client is anything that plays music, such as desktop music players, mobile apps, websites, etc.įor every track a user listens to the client should send a track.updateNowPlaying request and a track.scrobble request. ![]() Scrobbling is a way to send information about the music a user is listening to. ![]() This is a guide on how to send scrobbles to Last.fm.
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